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welcome to white feather walks -blog- The places I've been and the beauty I have Seen!


Abbe de Vere- The Royal Dragon Court Journey

Lady Anne Clifford

APPLEBY CASTLE

Early life Anne Clifford was born in 1589 at Skipton Castle, the daughter of George Clifford, 3rd earl of Cumberland and his wife Margaret. Her father was an extravagant courtier and naval admiral who had risen to fame within Queen Elizabeth's court as a skilled jouster.  Anne's two brothers died young, leaving her as the only surviving child of the family. She was educated by her mother and by her tutor Samuel Daniel, developing a love of literature, history, the classics and religious works.  When Anne was 15, her father died. She was upset to find that she did not inherit her father's vast estates - the Clifford family lands were extensive and included the great castles of Skipton(opens in a new window), Brougham, Brough and Appleby. George had left these lands and titles to his brother Francis Clifford, leaving Anne ÂŁ15,000 in compensation. This was a direct breach of an entail which stated that the Clifford estates should descend lineally to the eldest heir, whether male or female, dating back to the time of King Edward II.  The Great Tower of Brough Castle overlooking countryside The Great Tower of Brough Castle © Historic England Photo Library J870649  A determined woman The earl of Cumberland had not recognised the strength and determination of his daughter. From that moment, Anne's mission in life was to regain what she viewed as her rightful inheritance.  Her mother Margaret, as her guardian, initiated claims on Anne's behalf to both the Clifford's baronial titles and the estates, but the earl marshal's court refused the claims in 1606. Margaret's archival researches demolished Earl Francis's case for all the estates in the court of wards in 1607, the judges deciding that the Skipton properties were rightfully Anne's. Her uncle, however, refused to yield up the estates.  In 1609 Anne married Richard Sackville, third earl of Dorset (1589-1624). Her husband took charge of her lawsuits and in 1615 the court of common pleas decided that he and Anne could chose between two different halves of the estates, but could not have all of them. Anne refused to comply - she wanted all of the estates.  Detail of the Countess Pillar which has a blue sundial on it The Countess Pillar, near Brougham Castle © Historic England Photo Library K060205  Her only ally Defying the pleas of her by now exasperated husband, and even pleas from King James, she continued to fight. Against their wishes, in 1616 she travelled north to see 'her' estates and visit her mother at Brougham Castle, the only person left who supported Anne's claims.  On her departure from Brougham Castle, Anne travelled with her mother a quarter of a mile to where the castle drive meets the main road, 'where she and I had a grievous and heavy parting'. Margaret died a month later. With her death, Anne lost the only person who was prepared to help her fight for her inheritance. She later erected a monument at this spot, today known as the Countess Pillar, in memory of her mother.  View of Brougham Castle from river bed Brougham Castle © Historic England Photo Library N080608  Victorious restoration After her mother's death in May 1616 Anne was isolated, but she refused to yield her claim on the estates despite unpleasantness from her husband and incessant pressure from James I's courtiers. She suffered a period of ill health and withdrawal.  Worse followed when she refused to accept a settlement of the dispute in February 1617 whereby all the estates were given to Earl Francis and his male heirs, and ÂŁ17,000 was given in compensation to Anne. Her husband quickly pocketed the money and Anne was left with nothing.  Only in 1643, after the struggle of a lifetime, did Anne regain the Clifford family's lands after the death of her cousin. To celebrate, she commissioned the 'Great Picture'(opens in a new window), a portrait of her and her family which is now owned by the Abbot Hall Art Gallery in Kendal.  After the Civil War, in 1649, when she was 60 years old, Anne moved back to the north. She spent the next 26 years of her life restoring the mostly ruinous family castles to their former glory (Skipton(opens in a new window), Pendragon, Appleby, Brough and Brougham Castles). She also built some almshouses for poor widows in Appleby and restored several churches in the area. Anne died in 1676 at Brougham Castle, in the room where her father had been born.  Almshouses built by Lady Anne Clifford for poor widows in Appleby. Stone cottages with red front doors around a courtyard with a fountain in the middle. Almshouses built by Lady Anne Clifford for poor widows in Appleby © Robert Walton contributed to Enrich the List | Grade II* listed

Lady Anne Clifford

Lady Anne Clifford's story The redoubtable and determined Anne Clifford, countess of Pembroke, Dorset and Montgomery (1590-1676), spent much of her life in a long and complex legal battle to obtain the rights of her inheritance. Her fascinating story is known through her diaries and can be told through several historic places, some of which are now in the care of English Heritage.

Appleby Castle and the amazing story of LADY ANNE CLIFFORD

    Visits to Scotland, Isle of Skye and beyond

    Scotland is full of my ancestral history, from the massacre of my Macdonalds in Glencoe, to the battlefields of Culloden, Sterling Castle, Balmoral, Dondonald Castle, The fairypools, Hoonestly the most beautiful place I have been to. 

    find out more about our ancestry in The books

    Glencoe, LOCH NESS, STIRLING CASTLE, INVERNESS AND MORE

      The VERE RANTS -New Blog posts by Abbe de Vere

      Magic Ritual, the non conformist conforms

      A great (small) question from a fan on youtube.
      Asking why we have magic and dont need to use ritual books where as others do.

      Define magic? Our clear sight and intuition is internal, much like fight or flight panic.
      We dont need a book of spells to make us see clearer, or give us the ability to manifest, as most of us that can understand that our abilities are more prominant, or that we know that we have god within, we have the abiilty to create and are the govenors of our own destiny.

      So lets dive deeper,
      Why did these "occult ritual books exist" she asks on a video that does not mention solomons key, yes dad said rituals by solomons lot, so it needs to be addressed.

      Firstly ive never needed a ritual book because i have never felt the need to control or use my abilities for dark purposes, I certainly do not and have never had a coven of witches skipping around a pentagram summoning demons 🤣 to me thats all a bit far fetched. But i know that some people have tried this and is further fantasied in movies etc.

      Ritual books did not appear from nowhere. They existed because human beings have always tried to make sense of death, illness, fear, misfortune, spirits, dreams, omens, and the unknown.

      Long before medieval grimoires, ancient cultures were already writing sacred instructions for the unseen world. The Egyptian Book of the Dead is one of the clearest examples. It was not one fixed “book” in the modern sense, but a collection of spells and instructions designed to guide the dead safely through the afterlife. The British Museum describes it as a collection of magical spells used to help the deceased reach the afterlife, while the University of Chicago describes it as a series of spells promising transformation into an immortal divine state after death.

      That tells us something very important. Ritual texts often begin when people believe the unseen world has rules, dangers, gatekeepers, names, tests, and powers that must be navigated correctly. The written word becomes a map. A spell becomes a key, name becomes authority. A priest, scribe, monk, or religious specialist becomes the person who claims to know how that world works.

      By the medieval Christian period, this same pattern had moved into church and monastic manuscript culture. This is where things become more complicated, because many of the books later labelled “occult” were not created in some separate fantasy world outside religion. They were often copied, preserved, adapted, condemned, or quietly used by educated religious men, clerics, monks, physicians, astrologers, and scribes.

      The Codex Gigas, also known as the “Devil’s Bible,” is a perfect example of that uncomfortable overlap. It was produced in thirteenth-century Bohemia and is now kept by the National Library of Sweden. It is famous for being one of the largest surviving medieval manuscripts and for containing a full-page image of the Devil. Yet it is not simply a “Devil book.” It contains the Latin Bible, historical writings, medical material, a calendar, prayers, charms, and exorcistic material. In other words, the demonic image sits inside a Christian manuscript world, not outside it.

      That is the point people often miss.

      The Church did not gain power only by preaching heaven. It also gained power by defining hell, sin, demons, possession, heresy, spiritual danger, and the need for mediation. Once people were taught that invisible enemies surrounded them, the institution offering protection, confession, exorcism, absolution, relics, prayers, blessings, and salvation gained enormous authority.

      Banishing demons gave the Church weight. Naming evil gave it power. Declaring what was forbidden allowed it to police thought, body, belief, sexuality, healing, women, folk customs, and private spiritual practice. The more terrifying the unseen world became, the more necessary the official gatekeepers appeared.

      This does not mean every priest or monk was knowingly manipulating people, nor does it mean every ritual text was officially approved. Many were condemned. Cambridge University Library notes that church courts pursued both clergy and laity for forbidden arts for centuries, while examples of medieval charms show practices being copied into manuscripts even when marked as forbidden by the Catholic Church.

      That contradiction is exactly what matters.

      The religious world created the fear, named the forces, preserved the language, trained the scribes, controlled the books, and then often condemned the same practices when they escaped official control. The boundary between prayer, exorcism, healing charm, protection rite, and “magic” was not always as clean as later people pretend.

      Solomonic grimoires fit into this same pattern. Solomon’s name carried biblical authority, so later ritual writers attached his name to books of spells, seals, invocations, and ceremonial instructions. That does not mean Solomon wrote them. It means his reputation was useful. A text bearing the name of a biblical king sounded older, holier, and more powerful.

      Ritual books were created for people who needed external systems: words to recite, seals to draw, spirits to command, demons to banish, forces to bind, and rules to follow. That is a very different thing from internal sight.

      The real question is not whether these books exist. Of course they do.

      The real question is who created the fear that made such books necessary, who claimed authority over that fear, who preserved the texts, who condemned them, who profited from controlling access to the unseen, and why people still confuse the existence of ritual manuals with genuine spiritual understanding.

      Who benefited later, and the hypocrisy of anti-Church occult movements still leaning on texts and systems produced inside Christian manuscript culture.

      The later hypocrisy is impossible to ignore.
      Many modern occult movements presented themselves as alternatives to the Church, or even as rebellions against it, while still borrowing heavily from the very ritual structures preserved by priests, monks, clerics, and Christian manuscript culture. The seals, divine names, angelic hierarchies, conjurations, ceremonial tools, circles, invocations, exorcistic language, and Solomonic authority did not appear from nowhere.
      Later groups and figures benefited from this inheritance.

      The Hermetic Order of the Golden Dawn repackaged older ceremonial magic, Kabbalistic structures, angelic systems, Enochian material, tarot, astrology, and grimoire traditions into an initiatory occult order. Gerald Gardner’s modern Wicca presented itself as a revival of older witchcraft, yet it also drew from ceremonial magic, Freemasonry, folklore, romanticised paganism, and the occult revival.

      Anton LaVey’s Satanism styled itself as an anti-Christian alternative, but its power still depended on Christian symbolism, Christian inversion, and the shock value of the Devil as defined by the very religious culture it claimed to oppose.

      That is the oxymoron.

      The people claiming to be free from the Church often remained trapped inside its symbolic machinery. They needed the Church’s Devil, the demons, the Church’s forbidden books, the fear, and the Church’s language of rebellion in order to sell themselves as different.

      So who benefited?
      Those who could repackage fear as secret knowledge.

      Those who could turn forbidden manuscripts into movements, orders, books, initiations, lectures, status, notoriety, and money.

      The Church first gained authority by naming evil and offering protection from it. Later occultists gained authority by claiming to reveal, reverse, or master the same hidden forces.
      Different costume. Same theatre.
      That is why these ritual books need to be understood properly. They are not proof of higher truth. They are proof of a long historical cycle: fear is created, authority is claimed, symbols are controlled, and then the next movement comes along and sells the same fear back to people under a new name.

      And that, ladies and gentlemen, is why it is still a load of plop.

      You are not suddenly free because you call it New Age, Wicca, occult wisdom, spiritual awakening, hidden knowledge, or a different pathway. If the system still relies on the same ritual structures, the same fear of unseen forces, the same hierarchies, the same invocations, the same forbidden books, the same promises of secret power, and the same need for someone to teach you what you apparently cannot access yourself, then it is not liberation. It is rebranded indoctrination.

      The irony is impossible to miss.

      Many of these movements present themselves as alternatives to the Church, yet they still borrow from texts, symbols, demons, angels, seals, rituals, and ceremonial methods preserved within the very religious manuscript culture they claim to reject. They dress it differently, rename it, romanticise it, monetise it, and sell it back as “ancient wisdom” or “hidden truth.”

      But a label does not make you enlightened.

      Calling yourself different does not mean you have escaped the system. Sometimes it only proves you walked straight into the same structure wearing a new costume, thinking the bow on the box made the contents original.

      These labels do not define you. They often expose the lack of research behind the performance. Because once you understand where many of these ritual books, methods, fears, and symbols came from, the whole thing starts to look far less rebellious and far more recycled.

      Different name. Same control.

      Different costume. Same theatre.

      And yes — still a load of plop.

      🤣
      And yes, I will probably lose people over this.

      Some came to the Royal Dragon Court with their own confirmation bias already packed and polished. They thought they knew what it was. They hoped it would fit their preferred version of hidden knowledge, ritual magic, New Age labels, occult fantasy, or whatever spiritual pathway they had already decided was true.

      But that is not research.

      Research is not looking for whatever confirms what you already wanted to believe. Research means following the evidence even when it dismantles your favourite theory. It means asking where the books came from, who copied them, who benefited from them, who repackaged them, who monetised them, and why people are still using the same old systems while pretending they are free from them.

      So if people walk away because I do not conform to the version of the Royal Dragon Court they invented in their own heads, that is fine.

      It teaches one thing very clearly: I do not build my work around fantasy, flattery, or fashionable labels. I do the depth of research required to make rational and informed decisions.

      And sometimes that means telling people the uncomfortable truth:

      Different name. Same control.
      Different costume. Same theatre.
      Still a load of plop.

      This information and the way i have written, laid it out, for the benefit of the context of manipulation and control is protected under the Bearne convention of copyright law.

      Note to apparent authors who dont fully understand copyright law.
      (You may not pop over to my page, scrape information for your latest click bait post, attempting to look like the authority over my research. My work is based on academic structured research, not for the conspiracy theorist who chucks everything in a pot of misinformation to dumb  people down. Ive seen your posts and the level of research you do is brain numbing when i have to teach you new stuff because you were too lazy.)

      Conveyor Belt Indoctrination

      Note to apparent authors who dont fully understand copyright law.
      (You may not pop over to my page, scrape information for your latest click bait post, attempting to look like the authority over my research. My work is based on academic structured research, not for the conspiracy theorist who chucks everything in a pot of misinformation to dumb  people down. Ive seen your posts and the level of research you do is brain numbing when i have to teach you new stuff because you were too lazy.)And yes, I will probably lose people over this.

      Some came to the Royal Dragon Court with their own confirmation bias already packed and polished. They thought they knew what it was. They hoped it would fit their preferred version of hidden knowledge, ritual magic, New Age labels, occult fantasy, or whatever spiritual pathway they had already decided was true.

      But that is not research.

      Research is not looking for whatever confirms what you already wanted to believe. Research means following the evidence even when it dismantles your favourite theory. It means asking where the books came from, who copied them, who benefited from them, who repackaged them, who monetised them, and why people are still using the same old systems while pretending they are free from them.

      So if people walk away because I do not conform to the version of the Royal Dragon Court they invented in their own heads, that is fine.

      It teaches one thing very clearly: I do not build my work around fantasy, flattery, or fashionable labels. I do the depth of research required to make rational and informed decisions.

      And sometimes that means telling people the uncomfortable truth:

      Different name. Same control.
      Different costume. Same theatre.
      Still a load of plop.


      Question everything

      The conveyer belt of conspiracy theorists

      The Conveyer belt of conspiracy and the EXPERT, EXPERTS

      Social media is becoming a strange place to watch.

      There seems to be a rise of people suddenly presenting themselves as experts in subjects they appeared to discover five minutes ago. One week it is petrified dragons, the next it is aliens, then secret files, hidden documents, stolen symbols, mystery bloodlines, or whatever theory is currently doing the rounds.

      The problem is not people asking questions. Questions matter. The problem is the performance of certainty.

      A lot of it looks like scraped content, repackaged with drama, then pushed out as “truth” to thousands of followers. But when you ask basic questions — where did that come from, have you read the source, what is the context, have you checked the records — the whole thing often starts to crumble.

      That is the conveyor belt of conspiracy. It keeps moving, recycling fear, half-truths, lazy conclusions and stolen research until people can no longer tell the difference between evidence and entertainment.

      The Dunning–Kruger effect fits neatly into this too. Some people know just enough to feel certain, but not enough to realise how much they are missing. A little knowledge can make people very loud. Proper research tends to make people far more careful.

      I have noticed, too, that when you hold the mirror up to some of these performance artists in cosplay, they do not usually pause and reflect. They turn nasty, get angry, and block you, which is quite amusing really, because we do not have time for those sorts of people anyway.

      Misinformation spreads quickly because it gives people an easy story. A villain. A secret. A feeling that they are awake while everyone else is asleep.

      Real research is harder. It asks people to read, compare, question, and sometimes admit they may have been spoon-fed a lie by someone who had not done the work either.

      This is not a personal attack. It is an observation of a pattern.

      The louder the performance, the weaker the foundations often are.

      To be or not to be

      I also prefer one solid source for each topic, rather than one person claiming to be an expert on everything.

      People who are genuinely credible are usually experts in one specific field, with knowledge of a few surrounding areas. That is normal. That is honest. That is how real research works.

      Credible people provide citations. They show their sources. They explain their methodology. They allow you to see how they reached their conclusion, rather than expecting you to accept it because they said it loudly on the internet.

      That is the difference between research and performance.

      Research shows its workings.

      Performance demands belief.TT

      Copyright © 1985-2025- THE SOVEREIGN GRAND DUCHY OF DRAKENBERG, The imperial and Royal Dragon Court - All Rights Reserved.The Royal Dragon Court, The Dragon Legacy, TRANSYLVANIA TO TUNBRIDGE WELLS and The Dragon Cede. By( PRINCE) Nicholas De Vere - THE ROYAL DRAGON COURT INBRED BRITAIN ROYAL DRAGON BLOODLINES BY (PRINCESS) Abbe De vere.DRAGON PUBLISHING 2013. Do not copy our content without asking for permission, anyone found breaking this law will be dealt with accordingly. You may not use the words The Royal Dragon Court under any circumstance, nor are you permitted to use our intellectual property that is presented here, in our books or on our social media channels. Abbe devere owns rights to The House of Vere, Dragon Bloodlines, The Royal Dragon Court, Dragon Publishing.

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      30 YEARS OF THE ROYAL DRAGON COURT ABBE DE VERE

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