Abbe De vere author of the royal dragon court inbred britain

 Historian, Genealogist, Author, and Sovereign Head of the Royal Dragon Court® 

Its all in the Name-  

DECLARATION OF INTEGRITY: NAME, PEN NAME, AND HISTORICAL VERITY 

By Abbe Brooks-Weir aka Abbe de Vere

Sovereign Head of The Royal Dragon Court® & Editor-in-Chief of Dragon Publishing 

In the arenas of historical research, genealogical auditing, and independent publishing, integrity is verified exclusively through documented evidence. Detractors and internet speculators frequently rely on hearsay, ad hominem attacks, and manufactured narratives to distort the serious work of The Royal Dragon Court®. This statement serves as the definitive legal and public record clarifying my identity, my literary nomenclature, and the unassailable foundations of our lineage.

✒️ 1. The Legal Reality of My Identity

My birth name is ABBE BROOKS-WEIR. I have never needed to change my name, and I never will. I stand entirely behind the identity given to me by my father, Nicholas Logan Weir (Nicholas de Vere). My legal name is the primary identifier under which I hold my land, execute my corporate publishing duties, and maintain my life as a private citizen.

🏰 2. The Ancestral Legacy of the Pen Name "de Vere" 

I utilize Abbe de Vere strictly as my professional pen name, a standard literary convention practiced by authors worldwide. However, unlike fictional pseudonyms, this name is drawn directly from the deep bedrock of our verified family tree:

• The Norman Roots: The paternal Weir surname is the direct Lowland Scottish evolution of the ancient Anglo-Norman house of de Vere.
• The Historical Baseline: In 1165, Radulphus de Vere (Ralph de Vere), a son of the elite Earls of Oxford, migrated north to Scotland to pledge his sword to King William the Lion.
• The Evolution of the Surname: Over the centuries, as the family consolidated their power at the Blackwood Estate in Lanarkshire, the French territorial marker "de Vere" naturally morphed into the Scottish surname "Weir."

📜 3. The Verdict

This information is recorded in official state records, peerage registers, and court land charters. It does not need to be made up. When I write under 

The Right of Bloodline Surnames vs. The Rejection of Cosplay

In the ancient traditions of heraldry, peerage law, and dynastic succession, an individual carries a fundamental, biological right to invoke and bear the names of their ancestral grandparents. Surnames like Weir, de Vere, Logan, Macdonald, Grant, Glen, Sinclair, Stewart, and Muir are not abstract labels; they are the literal markers of my own bloodline. Because they belong to my verified family tree, I am fully entitled to use them.

However, the modern landscape of alternative history and online forums is crowded with individuals engaging in "cosplay"—people who adopt grand noble titles, change their names to royal lineages, and manufacture false identities as an act of fantasy. They wear these names like costumes, completely lacking the extensive, multi-decade historical research, archival primary sources, and peer-reviewed genetic data required to claim them.

To draw a sharp line between my work and this culture of superficial role-play, I transparently state both my birth name and my ancestral pen name.

Standing firmly behind my birth name Abbe Brooks-Weir while writing under my pen name Abbe de Vere is a deliberate statement of professional clarity. I do not need to hide behind a fabricated persona or use a royal surname as a costume to mask an unverified tree. My birth name carries the weight of the Weirs of Blackwood, and my extensive research proves exactly who my grandparents were. By maintaining this transparent balance, I ensure that The Royal Dragon Court: Undeniable Genealogy® remains a serious, evidence-based institution of historical science, completely detached from the world of internet fantasy. We don't play at history; we document it. the name Abbe de Vere, I am not adopting a false identity; I am invoking the literal, historical nomenclature of the ancestors who passed their blood down to my father and directly to me.

We do not falsify records, we do not entertain internet gossip, and we do not ask for permission to state the undeniable truths of our genealogy. Our work is supported by primary sources, peer-reviewed genetics, and centuries of documented survival.

The legacy is authentic, the genealogy is undeniable, and the record stands fast. 

Abbe de Vere is a professional genealogist, historian, author, and independent publisher whose work focuses on tracing British bloodlines, analysing population structure, and executing the documented archival and legal legacy of The Royal Dragon Court®, founded by her father, Nicholas de Vere. 

]Her research brings together genealogy, peerage law, DNA studies, anthropology, historical linguistics, heraldry, archival records, and the study of Britain’s noble and royal lineage patterns. Her work is built upon evidential integrity, using primary sources such as charters, heraldic records, parish documents, peerage materials, and historical manuscripts to clarify misunderstood or distorted narratives surrounding aristocratic lineage, dynastic identity, and inherited tradition. 

🏛️ Executive Tenure and Trademark Ownership

Following the passing of Nicholas de Vere in 2013, Abbe assumed sole responsibility for the preservation, restoration, and continuation of the court’s publishing and archival work. Since 2013, Abbe has served as the active, sovereign head of The Royal Dragon Court®, establishing strict corporate, literary, and legal ownership over its research through a officially registered trademark. This executive control includes Dragon Publishing, the curation of historical manuscripts, and the protection of her father’s legacy from the speculative, inaccurate, and sensationalist interpretations that were later projected onto his research by external parties. 

For over a decade, Abbe has worked to keep that legacy alive while also developing her own voice as an author and researcher. Her first major book as an author, 

The Royal Dragon Court: Inbred Britain, was written as part of the Royal Dragon Court legacy. It marked the third volume to be published under the Royal Dragon Court name, and the first new release in twelve years since Nicholas de Vere’s death. 

Inbred Britain represents both a direct continuation of her father’s work and the beginning of Abbe’s own independent body of research.

🧬 Inbred Britain: Anatomy of a Population History

The book takes the reader deep into questions of ancestry, kinship, identity, inheritance, and population history within the British Isles. It is not a sensationalist use of the word “inbred,” but a serious exploration of what the term means when examined through the historical, anthropological, genealogical, and biological record. Rather than treating inbreeding as an insult or curiosity, Abbe places it into its proper historical, social, and biological context. In doing so, she examines how dynasties, noble houses, and ordinary communities actually functioned.

]The book begins with the foundations of anthropology and the settlement of Britain: tribal migrations, cultural exchanges, and the genetic mixing that laid the groundwork for later history. From there, it traces how families, both great and small, organised themselves.

Among the ruling classes, cousin marriage and close-kin alliances were often deliberate tools used to preserve land, titles, estates, political influence, and dynastic stability. In villages and parishes, similar patterns appeared for different reasons: limited mobility, small populations, shared occupations, religious communities, and the social bonds of local life.

Both realities shaped Britain profoundly.

Genealogy provides the map, while modern DNA research adds another layer of clarity. Inbred Britain explains pedigree collapse — the way a single ancestor can appear many times in a person’s family tree — and shows how this reality means that all people, whether descended from peasants or peers, are far more closely connected than they often imagine. 

By examining case studies, family charts, historical marriages, and specific genealogical patterns, the book demonstrates that the story of “inbreeding” in Britain is not one of shame or anomaly, but part of the ordinary and universal pattern of how families and societies were built. 

At the same time, Abbe does not avoid the consequences of close-kin marriage. Her work examines where health issues arose, where dynasties weakened themselves, and how biology interacted with culture, power, politics, and inheritance. However, it also offers an important corrective to exaggeration. Most families, most of the time, found ways to balance closeness and diversity, and the survival of Britain’s population itself is proof of resilience.

📑 The Evidential Structure vs. Speculative Mythology

Inbred Britain is constructed upon a rigorously curated body of evidence. The work is heavily cited throughout, drawing upon medieval and early-modern charters, parliamentary and manorial records, peerage documents, parish registers, heraldic visitations, and other primary sources. These are supplemented by modern scientific data, including genetic studies and population-level DNA research, as well as peer-reviewed work from anthropologists, historians, and geneticists.

This evidential structure is central to Abbe’s work. 

Her scholarship is not alternative history. It is not speculative mythology. It is not fringe theory. It is an evidence-based analysis supported by archival documents, peer-reviewed genetics, anthropology, genealogy, literary history, and cultural study. [1]Although her work explores historical genealogies, mythological motifs, medieval cultural traditions, and symbolic language such as the Dragon motif, these subjects are examined within a documented historical framework. Abbe’s work highlights how royal and noble families used symbolic language to express identity, continuity, sovereignty, and lineage — not as fantasy, but as part of the cultural and political language of their time. 

🚫 Correcting the Distortion: Reclaiming the Truth

A major part of Abbe’s work is also correcting the distortions that surrounded Nicholas de Vere’s writings after his death. Much of his material was later co-opted by others who attempted to monetise sensationalist interpretations, particularly claims surrounding extraterrestrial Anunnaki narratives and other fringe theories. Abbe’s work makes clear that these interpretations do not represent the serious historical, genealogical, and biological framework behind the original Royal Dragon Court material. [1]Nicholas de Vere’s use of the term “hybrid human” did not refer to aliens. It referred to the blending of distinct hominin lineages within early Homo sapiens. Modern genetics now confirms that all human populations are the result of admixture events. Interbreeding between early Homo sapiens, Neanderthals, Denisovans, and other archaic humans, together with migration, founder effects, and population bottlenecks, helped shape the human species.In that sense, humanity is hybrid by definition. Claims of “pure bloodlines” collapse under even basic scrutiny. No modern human population is genetically pure. Every person alive carries layers of mixed ancestry representing tens of thousands of years of interwoven clans, migrations, families, cultures, and survival.

• Purity is a myth.
• Hybridity is reality.

This is one of the central messages of Abbe de Vere’s work. Her research asks readers to think critically, to test stories against evidence, and to see ancestry not as a matter of superiority or fantasy, but as a shared human inheritance. Ultimately, The Royal Dragon Court: Inbred Britain is a book about connection. It shows that the story of Britain is not the story of separate classes, tribes, or dynasties, but one great web in which all lives are entangled. By peeling away myth and distortion, Abbe asks the reader to recognise that history is not a distant abstraction. It is the shared inheritance written in families, records, names, stories, and blood.

📚 The Dragon Publishing Bibliography

Alongside her own authorship, Abbe has restored, edited, and published works connected to Nicholas de Vere’s legacy, continuing to distribute works of historical, genealogical, literary, and cultural value across global channels. 

The Works of Nicholas de Vere (Restored & Curated by Abbe de Vere) 

• The Dragon Legacy — The essential genetic, cultural, and esoteric baseline text of the Royal Dragon Court.
• From Transylvania to Tunbridge Wells — The archival and biographical roadmap of the bloodline's modern trajectory.
• The Dragon Cede — The authoritative, newly updated and republished edition under the direction of Abbe de Vere.

The Works of Abbe de Vere

• The Royal Dragon Court: Inbred Britain — The definitive genealogical and biological exploration of British kinship patterns.
• A Story of a Thousand Faces — An anthropological and mythological deep dive into ancestral memory and archetypes.
• The Forgotten Royals of the USA — Tracing the displaced and unacknowledged sovereign lines across the Atlantic.
• The Algernon W. Digitstick Series — A bespoke, creative children’s literary series. 

Every book on this website has been written, edited, restored, designed, inspired, and created by me.

Dragon Publishing is not a faceless publishing house. It is the result of years of research, personal dedication, lived history, and relentless work. From the books themselves to the covers, the formatting, the research structure, the website, the branding, the visual direction, and the preservation of the Dragon Court archive, every part of this has passed through my own hands.

I do not simply publish books. I build them from the ground up.

Each title represents countless hours of reading, checking, editing, rewriting, designing, restoring, and refining. No stone is left unturned. Whether I am bringing my father Nicholas de Vere’s work back into print, developing my own historical research, creating new covers, preparing files for publication, or building the wider Dragon Publishing platform, the work is personal, deliberate, and deeply connected to my own family legacy.

This is not outsourced passion. It is not borrowed identity. It is not a brand built by committee.

It is me.

My writing, my editing, my research, my eye, my instinct, my inheritance, my responsibility, and my determination to preserve the legacy properly.

Dragon Publishing exists because I refused to let this work disappear. I have taken the archive, the books, the lineage, the history, and the creative vision, and rebuilt it piece by piece into something living, professional, and enduring.

This is the work of one woman, one family line, and one unstoppable commitment to truth, heritage, and preservation.

The Dragon Legacy was Published on the anniversary of the death of my father 26th FEB 2026. This was a massive moment for me and very very emotional that I was able to do this for dad.

In this newly restored edition of The Dragon Legacy, Abbe de Vere brings forward her father Nicholas de Vere's most comprehensive exploration of the ancient Dragon Bloodline. Known for works such as The Bloodline of the Holy Grail and Genesis of the Grail Kings (co-authored with Sir Laurence Gardner), as well as Realm of the Ring Lords and The Dragon Cede: Transylvania to Tunbridge Wells, Nicholas de Vere was a dedicated chronicler of esoteric and genealogical traditions.

This edition has been meticulously edited by Abbe de Vere to restore the text's original clarity and intention. Here, he expands far beyond those earlier works to examine the roots and meanings of the Grail Bloodline, the symbolism of the "dragon," and the role these lineages were believed to play in shaping the earliest civilizations.

Addressing questions of elves, faeries, and other legendary beings, de Vere's research is presented not as fantasy, but as a serious inquiry into the encoded ancestral memories of the Royal Dragon Court.

In this authoritative reissue, Abbe de Vere ensures that her father's legacy is preserved with fidelity, offering both longtime followers and new readers a genuine glimpse into the heart of this extraordinary tradition.

A Story of A Thousand Faces in PUBLISHED IN DECEMBER 2025

Across every civilisation, humanity has told the same stories beneath different names. Gods become kings, serpents become devils, heroes become saints, and ancient symbols are reshaped to suit each new religion, ruler and age.

In this newly revised and greatly expanded edition, Abbe de Vere traces the recurring faces hidden within mythology, scripture, folklore and political propaganda. From flood legends, golden ages and forbidden knowledge to dragons, tricksters, fallen gods, sacred kingship and the creation of the Antichrist, this book examines how older traditions were absorbed, altered and sometimes deliberately condemned.

Drawing together sources from the ancient world, medieval chronicles, religious texts and comparative mythology, A Story of a Thousand Faces asks how much of what we believe is original—and how much has been inherited, renamed or rewritten.

This is not a book of simple answers. It is an investigation into the masks worn by history, the power behind religious storytelling, and the patterns that continue to shape the modern world.

The faces may change.

The story remains.

THE KEY TO THE DOOR FOR USA FANS TO FIND THEIR ROYAL AND                                       NOBLE LINES, ARE YOU A DE VERE TOO??

The Forgotten Royals of the USA

Many Americans are told their family history begins with migration, settlement, and survival — but for some, the story reaches much further back.

What began as a genealogy project for one client soon uncovered so many royal, noble, and medieval connections that it became impossible to ignore the larger story. Behind the names of early American families were bloodlines reaching into the courts, castles, dynasties, and ancient houses of Britain and Europe.

The Forgotten Royals of the USA follows those hidden genealogical threads across the Atlantic, exploring how descendants of kings, queens, nobles, knights, and powerful ancestral houses became part of the foundations of America. Through family connections, colonial migration, intermarriage, inheritance, and forgotten lineage, this book reveals a deeper story of ancestry — one often buried beneath simplified versions of American history.

Written for the many readers in the USA who have followed the Royal Dragon Court and de Vere bloodline research, this book opens the door to the families, names, and connections that link America back to Europe’s royal and noble past.

This is not just a book about genealogy. It is about identity, inheritance, lost history, and the forgotten royal bloodlines that helped shape the New World.

This book has been inspired while doing the genealogy of a client, who has become not only a good friend but now a cousin and part of my family, Chester Hunter is such a warm, kind hearted and marvellous man who brings me so much positivity into my life, It has been a pleasure to bring his family records into the mainstream forus and now documented in history through the Bodleian Library.

Shattering Illusions: Volume II – The Hidden Lies Behind A Story of a Thousand Faces is the bold and uncompromising follow-up to Abbe Devere’s earlier exploration of myth, fear, symbolism, and social control.

Where A Story of a Thousand Faces offered a softer passage through the ancient myths, religious constructs, fairy tales, and inherited narratives that have shaped human belief, Shattering Illusions tears away the veil completely.

This is not merely a book about history. It is an academic, legal, and deeply personal examination of how fear-based systems of control have not vanished with the past, but have evolved into the modern world around us. Drawing on her research skills, lived experience, and academic work from her Law degree, Abbe Devere examines how narratives, institutions, authority, social conditioning, and public perception continue to influence the way people think, behave, obey, and fear.

With force, clarity, and fearless honesty, Devere challenges readers to question what they have been told, what they have accepted, and what they have been taught to fear. This book is a wake-up call — not written to comfort illusion, but to break it.

Shattering Illusions is for those who are ready to look beyond the performance, beyond the masks, and beyond the stories used to shape obedience. It is a call to reclaim discernment, question inherited narratives, and take back the power that was never truly lost.

Written with the passion of a force of nature and the scrutiny of an academic mind, this forthcoming volume does not ask readers to blindly believe — it asks them to finally see.

This book is currently being written and will be available soon. 

Dragon Spiracy exists partly as satire and partly as a line in the sand.

It was created as a deliberate piss-take of the growing number of AI-fuelled content gold-diggers who regurgitate my father’s work and present it as their own. While some historical material sits in the public domain, language, structure, interpretation, and narrative fingerprints do not. When I hear my father’s exact wording, his phrases, his framing, and even his interview language repeated verbatim, it is painfully obvious where it came from.

I also see people using my father’s crest, setting up TikTok and Instagram accounts under The Royal Dragon Court, and presenting themselves as though they are part of something they have neither inherited nor evidenced.

So let’s be absolutely clear.

Before my father’s death, the work operated under the Imperial and Royal Dragon Court (IRDC) and the Sovereign and Grand Duchy of Drakenberg, both under his name and his copyright. This is entirely separate from the medieval Order of the Dragon (Order Draconis, 1408) associated with Sigismund of Luxembourg. No one owns an extinct medieval order or its emblem, and no one can claim exclusive rights over that symbolism.

What can be protected is modern intellectual property: authored interpretation, original structure, continued bodies of work, and derivative misuse.

When my father died in 2013, I inherited his intellectual estate. I continued the work, renamed it The Royal Dragon Court, and formally reinstated the Sovereign Grand Duchy of Drakenberg as a limited company under my name. Under UK inheritance and copyright law, all associated projects and continuations are legally mine.

This includes:

The Royal Dragon Court-Dragon Publishing -Devere Farm- Dragon Spiracy-

House of Vere- Prince or Princess de Vere Von Drakenberg- Anything to do with Drakenberg

The Sovereign Grand Duchy of Drakenberg.
 

As an author, both my work and my father’s are protected internationally under the Berne Convention.

The Royal Dragon Court and all Material is further protected under TRADEMARK LAW.

Yes — my father did use the term Draconian, and this is where much of the confusion began.

When he used it, he was not founding a belief system, creating a spiritual identity, or referencing modern internet mythology. He used Draconian ambiguously and descriptively, as shorthand within a historical context, referring to lineage associated with the medieval Order of the Dragon and the discipline, exclusivity, and continuity of noble inheritance. It was never intended as doctrine, spirituality, or self-identification.

At the time, there was no TikTok culture, no AI content scraping, and no monetised “Draconian spirituality.” His audience understood the historical context. That context has since been stripped away.

My father explicitly warned against people forming new religions, cults, or belief systems from this material. Those who now misuse the term Draconian to justify spiritual paths, RH-negative mysticism, priesthoods, or personal status are doing precisely what he cautioned against.

For that reason, I no longer use the term in that way and actively correct its misuse. Any modern framing of Draconian as a spiritual identity or belief system is a misrepresentation of the original work.

Dragon Spiracy exists to expose how absurd the online ecosystem has become — inflated followers, paid bots, recycled scripts, and people speaking in pseudo-medieval word salad while claiming authority. The irony is that the more this happens, the clearer the provenance becomes. People search Dragon Bloodline or Royal Dragon Court, and every road leads back here.

If they buy the books along the way, great. If not, the record still stands.

Where it stops being funny is when people attempt to publish books, courses, or “orders” based on this material while seeking my validation. If your work is not factual, not evidenced, not cited properly, and not capable of standing up to academic scrutiny, it will not be validated by me. Rewriting my father’s material and padding it with fantasy does not make you an author — it dilutes the work and misleads readers.

Every Dragon Spiracy video is scripted by me. I organise the visuals, music, and narrative myself. They exist to strip away fantasy, correct errors, and present evidence-based context — not to entertain delusion.

If you wish to reference our work:

• Ask permission first
   
• Cite correctly (author, title, publication date, chapter)
   
• Use recognised citation standards (Chicago preferred)
   
• Ensure your work could withstand academic review
   

If your book was generated by AI, padded with conjecture, or framed as spirituality, it will not be endorsed. I am not telling anyone what they may or may not believe — I am telling you to leave our names out of it.

I am not being difficult.
I am protecting an inheritance.
I am protecting decades of work.
And I am setting a precedent.

Dragon Spiracy is not an attack.
It is a correction — delivered with humour, clarity, and authority.